#MYGLSTO ’15

Me and my camera on the festival circuit, my adult playground, my Glastonbury

MYGLSTO '15

#MYHPSVLLE (05)

Me and my camera on a 60s weekender, my jolly up, my Hipsville

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To see full gallery please click here

Hipsville is a great festival, although when I told that to Ade, one of the guys who runs it, he said “its not a festival, its a party!” and he’s right. Its actually just one big jolly up. There is never more than one thing going on at any one time which makes those difficult decisions of who to go and see much simpler. Each event of the weekend is announced verbally by Ade who just shouts out to the crowd in a very raspy voice, “Alright folks, in about ten minutes the band is on, so go and get your drinks and get settled” – no programme, no board, no problem. Its beautifully sweet and simple.

The slightly odd thing about it is that takes place on a NRA base which is the oddest location for a 1960s weekender, the decade that championed peace and love is celebrated in a haven for weapon fanatics. So its basically a site full of guys with guns on one hand and go go girls on the other. At night you watch scantily clad girls shake their thing on the podium and in the morning you are woken to the sound of gunfire. Its a metaphor for something, I just wish I knew what.

The crowd themselves are a brilliant band of musos, car freaks, vintage scenesters, wasters and misfits as are all the acts on the line-up.  Fav acts of the weekend were The Tikiheads, the Deep Space Deviants and their alter egos The Deadly Stab ups, who were proper mental in quite a superb way. There was also a horror theme (in case you hadn’t noticed from the photographs) which only added to the bizarre experience as everyone wandered around in classic 60s b-movie horror outfits. There were also some killer cars there from the era, all beautifully decked out and you would kill at least a granny or two to get one. It got pretty messy throughout the weekend which was a great antidote to the usual clean & serene squeakiness of the vintage scene..hipsville 2015 we salute you and hope to see you in 2016!

 

#MYHPSVILLE (04)

Me and my camera on a 60s weekender, my jolly up, my Hipsville

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#MYHPSVLLE (03)

Me and my camera on a 60s weekender, my jolly up, my Hipsville

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Me and my camera on a 60s weekender, my jolly up, my Hipsville

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#MYHPSVLLE (01)

Me and my camera on a 60s weekender, my jolly up, my Hipsville

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Dopamine Fiend – The Video!

Here is a pop video I have just shot & cut for new release by Da7 feat. Annie Bea…enjoy!

Dopamine Fiend by Da7 feat. Annie Bea

#MYBRCLNite (#lode2manydjs special)

Me and my camera in someone else’s home town, my weekend xmas jolly up, my Barcelona

Incredible city (barcelona) Incredible club (Razzmattazz), Incredible line-up (#lode2manydjs) = Incredible night x loads.

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loadsJarvis ( or “Ccharbis” as the spanish say) gets his inner skeleton on as Relaxed Muscle in the Pop Bar

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Mixhell go apeshit in their live  set on friday night…one cool couple who can rock the shit out of any crowd..

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Nancy Whang (lcd sound system) kicked it off big time in the lo-lita room with some seriously groovy tunes.

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Agent K from Double Agent 7 after their rocking set in the pop bar.

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Errol Alkan & 2manydjs went back to back on the Saturday night…

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…to the roaring approval of the crowd whose Christmases all came at once.

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And here are some random shots of Razzamattazz, has one of the best outdoor smoking areas (above) and all these pathways to a myriad of different rooms all housing cool areas with kickin music.

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 Yes, that is a leg of ham…

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…and probably the best part of the weekend was the Mescal Jam session in the early hours of sunday morning. Mescal and musical talent fused together in perfect spontaneous mayhem as half the line-up, led by Dave & Steph (2manydjs/soulwax), rocked out with a bunch of instruments fuelled by the aforementioned Mexican fire liquid (glowing bottle above)

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All in all in was a pretty damn decent weekend…

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#MYBRLNites (005)

Me and my camera in someone else’s town, my nights out, my Berlin…   

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Berlin has these great outdoor clubs by the canal and even when the sun has firmly risen the dancing doesn’t stop…the rollover weekend just keeps rolling. Daytime becomes nighttime. Nighttime becomes daytime. Your hours are your own. Your time is without a table. It all makes perfect sense to me.  The only thing that doesn’t is how they deal with Monday morning…fortunately this was one aspect of Berlin life I did not have to experience. 

To see the full Berlinites gallery please click here

MASSIVE ATTACK IN PARIS

Me and my camera in someone else’s town…

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I had the privilege of being given a photographic assignment to document Massive Attack’s headline gig at the Fete De l’Humanite in Paris last weekend.  There were 80,000 people there. It was immense. 

To see the full gallery please click here

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Me and my camera in my home town, my capital city, my london 

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Massive Attack On Blackheath. 

#MYLDN 421 – Notting Hill Carnival 2014

Me and my camera in my home town, my capital city, my london    

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It chucked it down on Carnival Monday this year..it put off hundreds of thousands of people but those who came were the party die-hards who weren’t going to let a bit of rain get in the way of their big weekend. If anything, they seemed to enjoy themselves even more than usual, as you can see…

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It was a true display of humanity at is best: playful, defiant, jubilant, harmonious and just a little bit wasted…okay, maybe more than just a little bit…

To see the full gallery please click here

P.s Its good to be back…normal service has now resumed…

#MYGLSTO (05)

Me and my camera in someone else’s field, my festival season, my glastonbury  

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To see the full Glasto Gallery please click here

I did spend most of my Glasto at Despacio mainly for the simple reason it was “The best party at the best party in the world” ©. The council shut it down early on Saturday  due to sound levels as apparently there was “too much wattage” – the atmosphere was electric so I guess that’s what did it?!  It was absolutely gut wrenching for everyone there who were literally having the time of their lives and for the sleeping neighbours they were undoubtedly none the wiser that 800 people had their hearts broken in the flick of a switch. 

Every minute on the Despacio floor is to be cherished and with 80 precious minutes still to go and the ultimate building crescendo finale taken away from us, we all stood there in total shock as the lights went up. Faces of joy turned to faces of horror. It was as if our still beating hearts had been ripped out by the freaky voodoo guy in Indiana Jones 2. Overly dramatic? If you were there you know I am not exaggerating. What killed even more was rather than hug all my new random dance floor best friends and celebrate that we had all been at “The best party at the best party in the world” © (yes I am trying to make T.B.P.A.T.B.P.I.T.W happen)  we all just sloped off into the night knowing that everything would be a massive drop down by comparison. And it was.

Overall though Glasto 14 was a killer from start to finish. Immense fun throughout. Yes, its total carnage. Battling with mud and tents and 200,000 people (mostly off their faces) in a massive temporary town with slightly unsavoury facilities but it is oh so worth it. Glasto knocks the pathetic prissy city dweller out of you and drops your standards to zero and below and soon enough you’re covered in crap and you just don’t care. Roll on 2015!

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Me and my camera in someone else’s field, my festival season, my glastonbury 

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This was taken at the umm…well,ok, I don’t have an exact location for this one either – does it really matter where it was taken? It was at Glasto, that’s all you need to know. They don’t seem to know where they are either so its ok really…

#MYGLSTO (03)

Me and my camera in someone else’s field, my festival season, my glastonbury 

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In all honesty I don’t really remember taking this shot or where exactly it was or when for that matter but as the saying goes…if you remember Glastonbury you weren’t really there…anyway who needs a memory? That’s what photographs are for right? To fill in the gaps…I read recently that you actually have much less chance of remembering an event if you take a photo as the brain assumes its been taken care of  and doesn’t bother storing it…which  I guess is what happened in this instance…and all the other instances I can’t recall…

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Me and my camera in someone else’s field, my festival season, my glastonbury  despaciobcrbury-7

Despacio opened its doors (i know tents don’t really have doors but go with it) in the Silver Hayes area on Thursday at 8pm. There was already a massive queue to get in  and it was at capacity within minutes. The rest then queued from that moment on to the moment it closed. Those who made it in will  know it was  worth the wait…and some.

#MYGLSTO

Me and my camera in someone else’s field, my festival season, my glastonbury

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Glastonbury. Pedestrian Gate A. Wednesday 9am (25.6.14)  This is the day before the warm up day of the biggest music festival in the world…no-one used to go to Glasto on the Wednesday, now most people arrive then.

As the entrance fee and attendance has increased year on year out the festival go-ers arrives earlier and earlier to make the most of their £250 tickets and to try and get a half decent spot before the hoardes arrive…this year it seemed everyone had that idea.

We got there at 3am the night before to avoid this situation after some valuable advice to avoid wed morning arrival  from the Glasto website..thank god no-one else read it. I think I would have been crying into my wellies had got there with this lot but they didn’t seem too bothered…the sun was shining and a lot were already tucking into their tinnies…yes it was 9am but this is Glastonbury. People start early..and they finish 6 days later.

Despacio Is Sonar Is Happiness

The Despacio sound system came to the Sonar music festival in Barcelona. This is what happened…

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…I cannot recall a time in my life when I have been in a room with that many happy people. It is an experience none of us will ever forget.

To see the full gallery please click here

To read my review of the very first Despacio at Manchester International festival please click here

DESPACIO

Despacio is a custom built sound system devised by James Murphy (lcd soundsystem) which he, David and Stephen Dewaele (2manydjs) dj’ed from over the course of three nights in July in the New Century Hall as part of the Manchester International Festival.

What was it like?

It was fucking incredible is what it was. Off the friggin chart. Not like anything I have ever experienced before. In a world of repetition this was categorically something different. I have been to a million clubs and gigs and soundsystems before and nothing even comes close. It is a true evolution of sound. Sound guys are always banging on about perfect sound and what it would take to do it but rather than just being pub chat, someone actually went and did it. Optimum sound. In the flesh. And it was a truly beautiful thing. And it was a thing. For the first time ever I realised that sound was indeed a physical entity. It was like meeting an alien from another planet. I’m an atheist but its the closest thing I have ever had to a religious experience.

First time I walked out onto the floor, before I’d even been able to register the magnitude of what I was hearing, I saw the smiles on people’s faces. They were in awe, raptured, they just looked deliriously happy. I always had this notion that I had only ever heard bad sound but couldn’t prove it. Until now. When I heard the Despacio sound system I knew I’d been right all along.

Weirdly the first thing I noticed was the air around me, it just felt different. It felt clean. Empty. It was because the sound waves were all in sync. Everything flowed in perfect harmony. Normally in clubs you feel like you’re literally being hit by the sound, bombarded from all sides. And no matter how big or powerful the system is there is always distortion. There was none. At all. Total clarity. It was jaw­dropping. Immense power. Total clarity. It was out of this world. The nuts thing was that you could talk normally without raising your voice. It was seriously loud but at a perfect level. I still don’t know how that works. Even when you walked right up to a speaker it was still the same. I was spinning out.

I am a lower rung dj and live in a world of bad sound and to hear this optimum experience made me overwhelmed with emotion and even a little teary. It was like meeting sound for the first time. And thanks to the selections and exquisite mixing from James Murphy and 2manydjs I had the most luscious music wrapping around me like a duvet, enveloping me, making me feel warm and gooey all over. I have always been a massive fan of the glory days of disco from the likes of Larry Levan and the Paradise Garage and had read how he used to spend hours perfecting the sound before he would let anyone in and then finally he would treat the crowd to hours of seamless dance grooves. I always lamented the fact that I would never live to see something like that. But I was wrong. Here I was in that experience but it was so much better. Levan never had tech like this. He’d have killed his gran for this shit.

Despacio means slow…gradual…and as I looked around the crowd were lovin these laid back tunes. Shuffling around in a chilled back bliss. It felt right for these times. Everyone’s a little bit over the doof doof of hard hittin bpm blitzes. This was something way cooler. 2manydjs and James Murphy played spectacular music over the course of the two nights I was there. The friday was a bit more laid back with just a glorious groove throughout the night. On the Saturday, the last night of the festival, they cranked it up some more and started to push this state-­of-­the-­art system, although not to its full capabilities. This baby was capable of a whole lot more but they were restricted to a db of 100. This is possibly because heads would have imploded if it had gone full welly. Most systems are maxed out on the night, pushed to the limit. This monster was in 2nd gear and had a bigger punch than anything I had ever heard. But never even a smidgen of distortion. Total clarity all the way.

There were many people involved in the construction of the Despacio sound system and they were the sound equivalent of a Formula 1 team, working together to create the ultimate fusion of technology and performance with the best drivers in the business. And on the Saturday, having got used to their “drive”, James, David and Stephen put their foot on the floor and delivered a powerhouse set of the highest magnitude.

If you stood dead centre of the floor you felt the bass as if it had got inside you and taken over your central nervous system, filling your veins and arteries where organic tissue once was. You might have felt bass at other clubs but that would be the equivalent of an arse pinch compared to this all-consuming possession. It was insanely intense and completely overpowering. And I didn’t want to leave.

I actually found it very difficult to leave the floor. Why would I? This would be over soon and I would have to return to dull normality. I literally had to be dragged away. The only way I was enticed was by the prospect of meeting the men behind the machine.

I got taken backstage and first met John Klett, the designer that had taken James Murphy’s concepts and transformed them into the reality I had just experienced. It was very clear within moments that this wasn’t just some sound guy. He was clearly a mad brilliant scientist who had taken the idea of optimum sound to its ultimate conclusion.

He explained to me that there were different sound experiences depending on where you were standing on the floor. Go to the centre, walk four tiles and a third forward and you will hit the “front egg”. At that point certain speaker pathways converge creating something unique. I didn’t need encouraging to go back on the floor. I was there in a second. It truly felt different to what I had experienced elsewhere. My body and brain responded with sensory ecstasy.

There was also a “back egg” which I also checked out. It had less of a punch but even more clarity. John Klett then told me there were even “easter egg” sound spots that were hidden around the floor that produced something else entirely but wouldn’t tell me where they were. I mean, who does this shit? It was insane. I mentioned to him about the air feeling different around me and he said I was basically “a bag of water” and went on to explain how the molecular structure of the human anatomy had been taken into account in the design. In a normal club, they just crank it up and make your ears bleed. And now I know why. They had failed to take into account I was a bag of water. Thank God someone had…the results were awesome!

I then was introduced to the guys at Mcintosh who had supplied the stunningly beautiful, phenomenally powerful and mind­bendingly expensive amps that were the engine of the beasts. They had had the clarity and foresight to understand the potential of Despacio when most other companies had passed on it and they were all the happier for it. They had got on board the project with a giant leap of faith fuelled by a total belief in their gear, the concept and the execution. As I chatted to them they were feeling pretty smug about it as they had been proved correct. And some. To say that it exceeded everyone’s expectations was a massive understatement. They were overjoyed that their amps were getting an opportunity to unleash their true potential and deliver the power and perfection they were capable of.

The Mcintosh amps are a thing of beauty to look at as well as to hear, as are the speaker stacks themselves. The entire room was in fact a masterclass in purity and aesthetics. If Kubrick had built a niteclub it might have looked something like this. Just one massive black and white tiled floor surrounded by the Stone Henge of sound systems. And that was it. There was nothing else in the room. No bar, no bullshit. Just a dancefloor and some glorious speaker stacks.

Throughout the night you would often find people just staring at the stacks, marvelling at their structure and components. PBS Audio were the company responsible for building the actual casings for the system and had worked tirelessly over many weeks doing insane hours to get them complete in time. They were a team of young lads who had never done anything like this before but they had seriously stepped up to the challenge. I met them on the dancefloor and they were all stood their with massive grins that only come from people with a true sense of accomplishment and a marvel at what they had been a part of. Chris Walker who had been a driving force in the orchestration of the entire event glided around the floor all night, beaming from ear to ear, knowing that his work had all been worthwhile.

I don’t think there was anyone there, whether they were a part in the construction or a part of the crowd that did not feel touched by the experience. I certainly had and everyone I spoke to had. On many occasions throughout the two nights I was there I had caught the eye of those around me and just gone..what is this thing like? its out of control. Everyone just shook their head in agreement, slightly slack jawed by the enormity of what they were feeling.

The overall vibe of the place was just amazing. Such an incredible positive mood throughout each night. Mancunians are a lovely friendly bunch anyway but the joyous experience had made everyone warm and mushy. This was mostly thanks largely to the incredible array of uplifting soul soaring tunes that James murphy & 2manydjs played over the course of their 3 night run, all on vinyl. As it should be. It was old skool attitude delivered with hi­-end tech – a killer combination.

Even though they were the stars of the show they had made a point of stating that it was not about them, it was all about the music and James Murphy on each night actually made an announcement over the mic asking people to stay away from the booth and not take photos. And just to get out into the middle of the floor, enjoy the music and live in the moment. This was the declaration of the anti-­ego djs. Stop staring, start dancing.

And people did exactly that. For one night they forgot about their facebook pages and their youtube uploads and revelled in this glorious moment. They played Talking Head’s Naive Melody as the last track on the last night and as I gazed at the joy around me I couldn’t remember a moment on earth when I had felt happier.

Thank you to the Manchester International Festival for commissioning this extraordinary event and to everyone involved for giving me and all present an experience they will never forget. And I will implore anyone who is reading this…do whatever you can to get to a Despacio event. Maime and murder if you have to. It will be worth it. You have my word.

I would like to say a special thank you to karey fisher who not only organised the whole thing but is the reason I was there. I am her plus one and it gets me to the coolest things on the planet.

 

#MYLDN (183)

Me and my camera in my home town, my capital city, my london…